CONTACT: WINSTON BARCLAY
300 Plaza Centre One
Iowa City IA 52242
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Release: Sept. 28, 2001
IWP writers from Italy, Laos will read Oct. 7 in Prairie Lights
IOWA CITY, Iowa -- Fiction writers Rocco Carbone from Italy and Thongbay
Photisane from Laos, participants this fall in the University of Iowa International
Writing Program (IWP), will be featured in a free reading at 5 p.m. Sunday,
Oct. 7 in the Prairie Lights bookstore at 15 S. Dubuque St. in downtown Iowa
City. Poet Genevieve Kaplan, a graduate student in the Iowa Writers' Workshop,
will also read.
Photisane, the first writer from Laos to attend the IWP, directs and edits
the only monthly literary magazine in Laos and serves as second secretary
of the Lao Writer's Association. His most recent short stories, "The
Life of Love," "The Love of the Luang Prabang Song," "Life
and Family" and "Song of Man," have appeared in Vannasin magazine,
the monthly publication of the Lao Ministry of Information and Culture.
Carbone is a literary critic and cultural commentator for Rome's Il Messagero
and Naples' Il Mattino, and L'Unita. Carbone's novels include "Agosto"
(1993), "Il Commando" (1996) and "L'Assedio" (The Siege),
(1998). "The Apparition" will be published this year.
Some 30 writers representing 24 countries are now in residence at the IWP
through Nov. 20. The IWP was the first international writers residency at
a university, and it remains unique in world literature. Over the years, nearly
a thousand writers from more than 115 countries have completed residencies
in the program.
Like most IWP residency groups, the 2001 community is a mix of poets, fiction
writers, screenwriters, playwrights, journalists, essayists and critics. Many
of the IWP writers will travel from Iowa City to present lectures, symposia
and readings at other campuses in Iowa and throughout the country, and to
visit places of cultural or historical interest.
The IWP is staffed and housed by the University of Iowa. IWP writers have
been financed by the United States State Department, through bilateral agreements
with numerous countries; by grants given by cultural institutions and governments
abroad; and by private funds that are donated by a variety of American corporations,
foundations and individuals.
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